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Emma's Numbers - 14 minutes 13 seconds

Second Piano piece written for a friend fighting Cancer

An old friend was dealing with cancer so I wrote her some music. After sending it to her, I asked for her numbers and then produced this piece. When I’m writing for or about someone, I often ask them for a couple of numbers, I use these to denote the meter and beats per minute of the piece – I like the randomness of the process and the idea that the recipient is determining the musical outcome.

Emma survived and continues to Skipper her yacht around the globe – she’s an amazing lady. Having had the pieces for a while Emma and her husband Richard sent me the feedback below.


"The first piece makes me remember the moment all this shit began, the horrific nightmare and all its tricks.

Rich and I were talking and for us the piece takes us on a little journey from the beginning right up to the post-mastectomy stage. I feel aggression, hatred and fear at the outset and then the music lifts which for us denotes the next step – the positive move forward after the removal of the cancer – the brighter side of this nightmare beginning to shine through if you like, the positive rather than the negative.

The second piece of music takes on the treatment – tentative at the outset taking on the unknown – I can see myself treading carefully through mess, gently with each step, nervously moving forward - sometimes feeling delicate from treatment, sometimes charging forward with stubbornness – positive and almost light hearted, but each step with determination, all the time pushing, pushing to beat this.

This cancer is strange – whilst I have a cast of thousands around me each one supporting, helping in their own different way - I feel like a boxer – ultimately it is me that stands alone in the ring to deal with this, me that has to step forward and take the hit.

I write this as I listen to Emma’s Numbers – I can just see you sitting there, eyes closed, composing, thinking, feeling the music. We were having dinner whilst listening to my iPod last night, we had friends over, and they asked what we were listening to – the second piece – they loved it. Just thought you’d like to know that."

I did - thank you Em!

iTunes - music2work2 - Emma's Numbers Amazon - music2work2 - Emma's Numbers music2work2 - People 2, 2007 at CD baby

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It's the music that is important.......

Digital Music News Daily Snapshot reports that Nielson Media Research revealed “iPod owners spend a relatively small amount of time viewing downloaded videos.” These results are understandable considering the “multitasking” of individuals today. It is the music, Nielsen concludes, that is the most important component for most iPod buyers, even the iPods with video capabilities.

These results are reassuring for music2work2.com. They are consistent with the thinking of music2work2 and reaffirm the premise on which it is based. Individuals at work and play spend so much time during which focused attention to action on a screen is impractical. But, background music, which does not require focused attention, makes the task more pleasant, enables concentration on what is necessary, or prevents boredom while performing repetitive tasks. Looks like music2work2 is right on the mark!

Zune vs iPod

In spite of the big budget marketing campaign and months of pre-release hype, Microsoft’s Zune was released on Tuesday with disappointing results. Digital Music News reported that it was available in 30,000 retail outlets, “more than any other Microsoft product." Even Bill Gates himself gave it a push by extolling its virtues.

Apparently, however, it was not well received by everyone – there were complaints about it’s size – larger and heavier than the iPod and its sharing capabilities possibly hurt by the refusal of some big names, such as the Rolling Stones, to license their music for Zune-to-Zune sharing.

So, what is the message here? Perhaps that success can’t always be bought. Regardless of how much money Microsoft has spent on the Zune, it’s popularity and success ultimately lies with the consumer.