Triton

Feeling Spacey – music to work to

November 18, 2010

I’m listening to a lot of the old development tracks as I rebuild the site and some of them are very cool indeed. I’m really digging this piece – using a combination patch on the Korg Triton called MoviePad it has that whole Sciencey / spacey / expansive feel to it – it works well [...]

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2007 – People 1

July 28, 2009
iTunes - music2work2 - People 1, 2007

Writing for the different weddings and workshops had opened a door into a new way of creating themes. 2007 was a development of that approach combined with a growing familiarity with the workings of the Korg Triton. Heath, Wendi and Victoria are all two voice pieces where the piano track is recorded first and the [...]

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Heath – 27 Minutes 59 Seconds

November 24, 2008

Classic music2work2 – pianos, strings, alternating time signatures and themes – oh, and it’s long. $1.99 Download Now 2007 was the year that music2work2 really started to take shape. I was working with a Korg Triton and my recording and mixing chops were getting better. New gear is funny – there is just something about [...]

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Tracking….

April 8, 2008

So for the second night in a row I am working up a series of beats using the Triton’s presets. The challenge is not to make the beat track too monotonous. I’m recording a number of different beats – probably around 5 – using 67 beats per minute as the core tempo (a prime number) [...]

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113 BPM – Rough mix…

April 5, 2008

Had a great night -working at 113 beats per minute – using five different grooves from the Triton and then freestyling on top – I like the way the beginning came out – need to mix the rest…actually…need to sleep… [display_podcast] —————- Now playing: Music2Work2 – 113 – roughmix via FoxyTunes

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Discombobulated

March 24, 2008

I am a cat on a hot tin roof – the only solution is to play. I am going to develop existing sessions – starting with Wendi’s G Minor theme. To get into the groove I’m going to play around with a patch on the Triton at 67 beats per minute – the tempo for [...]

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