Was working on the core MOP theme yesterday and this popped out at the end. I dig it, it has that simple ascending movement to it – ultimately hopeful and delicate – it lives really nicely at 113 bpm which is where the main energetic theme is at as well.
I can see this being used at the end of the piece when everything has calmed down and you want a little bit of hope to leave the theater with…
SAmi is still playing with the imagery for the front of the piece – he’s swapped out the spooky church for a statue of Venus – which I think makes a lot of sense when you consider the greater theme of the movie.
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